Only the mission matters. Every second counts and one man has one chance to do the impossible. This is Mission Impossible: The Draymond Green protocol.
The New England fog lies thick and heavy on the old revolutionary cobblestone. Profanities hang thick too as drunken Bostonians broadcast a tradition of inebriated antics. A man scrambles through it all as he talks into his watch. Heās looking at people through windshields. Heās staring down strangers. Heās disgruntled, but heās broadcasting through it all. Heās a multitasker, and the people must know his thoughts.
āDraymond! Abort!ā
The voice isnāt his: heās being warned. He checks his watch in time to see a team member stumble and teeter. He sees a view of the riverās oily surface through the mist as the man topples over a stone railing. Hearing the splash, he jogs up the stairs. He is just in time to not see his brotherās vanished body. The river looks untouched, and so Draymond backs away from the bridgeās banister, mouth agape, fog everywhere, wondering whatās next.
āYou see,ā and he starts talking into his watch again. Heās out in the fog asking questions like, āDo you read me?ā But no one answers. And heās not sure if heās the ghost or the one being ghosted.
A car door shuts. He streaks round the corner, running again. Heās always running, looking busy, looking alert. Heās running when the car blows up. Smoke and flame in the fog, he canāt believe it. And so heās talking into his watch again. Flames crackle. Gasoline fumes permeate the fog and choke off bystanders. Draymond Green starts running again, and he sprints the way a movie star sprints, like heās studied how to run without ever knowing how to run. Heās all upright and practiced, moving like he can see himself, like heās in a dress rehearsal for the race of his life ā and he is. This is the last call. All assets either play or get played. He knows that. Heās conscious of how heās slipping. He doesnāt want to talk about that. What spook does?
When he comes galloping like Paul Revereās horse around the corner and through the fog, he finds another teammate propped against a locked gate leading to an alley. Heās too late. A step slow. The teammate is done for. He can sense the step slow pattern on his rotations. He holds the bloody knife in his hand. This canāt be good, he says, and he spills the reaction into his watch. He wonders if anyone else has eyes on this. He looks for a phantom whistle. He looks for a judge with which to plead his case, but all he finds is the moon splitting a fogbank.
He grumbles some more to his watch as a siren sounds from the harbor. He turns. He thinks this is the most intense broadcast Iāve ever given. He knows this for a fact even if he canāt be sure anyone is actually listening. Then he says the quiet part out loud. He says, āThis is the most intense broadcast Iāve ever given. This better be doinā numbers.ā
The officers unload from the boat. Theyāre running towards him, so he climbs the gate. He is one hundred and ten percent hustle as he makes for the last rung. When he reaches the top and swings his leg over, he transforms into sheer desperation as he attempts to kick the man in the moon right in the crotch. He lands and takes off running again. He is very good at showing effort. Always has been.
He ducks into an old payphone booth. But heās talking into his watch again. The payphone isnāt even there, just the booth. The words sound like a coded message. He sounds like heās reading out a playbook. āThis is Draymond Green. Theyāre dead. We call that bravo bravo one fish in the hole.ā He laughs and gives no antecedent. The ātheyā and the āweā could be anyone and sound as if they might be interchangeable. āThey knew we were cominā,ā he says. Again, the antecedents are foggy. He raises the intensity in his delivery. āThe podcast is public!ā he yells before exiting the phone booth. āThe podcast is public!ā
The meeting isnāt for a few hours. He has time to kill, but he canāt go anywhere heāll be recognized, which is almost anywhere at this hour. Someone yells an expletive at him. Everyone is always yelling expletives in this city. He checks his watch for the nearest movie showtimes. Nothing but Marvel movies. He doesnāt respect CGI. He wants to see real actors doing real stunts. He canāt believe the new Top Gun isnāt playing anywhere nearby. Tom Cruise is a guy who knows how to take a dive.
When Draymond arrives at the meeting place, heās tired. Heās been running the streets all night. His team has been decimated. He limps like a man whose Achilles tendons are inching towards old age more rapidly than the icecaps are melting. They call this coming in from the cold, but he feels heated. The restaurant glows neon blue in the night. He can make out an aquarium through the front wall of windows. The waiters all wear red jackets that make them look like dweebs from a bygone era. One day, he thinks, Iāll do an Anthony Bourdain-type thing and just travel. But heās not there yet. He still has work to do. Scores to settle. When he gets his Anthony Bourdain travel show, though, he sure as hell isnāt visiting Boston again. Not ever again.
This mission is for Draymond Green, should he choose to accept it
He sits down across from Steve Kerr.
āI canāt tell you how sorry I am,ā says the older man with a younger manās haircut. āI know how much all this means to you, Draymond.ā
āYeah,ā sighs Draymond. āRespect.ā
The man pulls a booklet from his suit jacket and slides it across the table.
āYou follow me?ā
āOn Twitter? Sure.ā
āI think weāve lost enough of late.ā
āYou mean Iāve lost enough, right? āCause thatās what this is about, right? You call it how you see it. They call it how they see it. Well, Iām the only one who was out there. Iām the only one who can call it how I see it.ā
āYou seem hellbent on denying culpability.ā
āLook, I know where I went wrong, but I also know where I went right. Youāre reaching. Thatās a big reach. Respect. But thatās a reach.ā
āWho else is left, Draymond?ā
āWe didnāt all go down. Whereās Steph? I didnāt see Steph go down.ā
āWhat?ā
āI saw what happened to KD. I found Harrison. Klay? I saw that too. But whereās Steph?ā
āI donāt quite follow you.ā
āYeah, weāre supposed to be mutuals. Youād think if I followed you, then you would follow back. Thatās how this is supposed to work. Why was there another team out there tonight?ā
āWhat do you mean?ā
Draymond leans in, his eyes burning and widening and burning. āJust follow me around the room then. I get that Poole and Otto and Gary are all here. I even see you got Kevon there. But whatās Udoka doing at the table right behind you? And why is Derrick White seated over there? Have you ever been to San Antonio, Steve? All due respect, but I gotta ask whose legacy are you trying to protect here. I know Tatum is a Kobe disciple. I know about Chicago too. Itās all in the podcast.ā
āWould you like to tell us more about this podcast?ā
āWhat about it?ā
āHave you ever heard of the Noc List?ā
āI know itās 75 names long. I know itās the list you wanted us to get tonight. I also know itās incomplete.ā
āWell, weāve noticed your podcast is starting to draw numbers. We have a penetration. The defense just isnāt there. The job you thought you were doing tonight isnāt the one you ended up doing. We donāt have you out there to just talk.ā
āYou used all of us as decoys? You used me as a decoy?ā
āCorrect.ā
Draymond leans back against his chair. āRespect.ā
āAnd Iām sure youāll arrive at the real goal if you think on it long enough.ā
āIāve seen this movie before,ā says Draymond, reaching for his pocket. āThis whole thing was a molehunt. Thatās what this was.ā He unsheathes a stick of gum. He holds it in a tight fist on top of the table. āA molehunt. A reach. A game of cat and mouse.ā His other hand peels back the foil. He looks up. He places the stick of gum in his mouth. He chews. Then he spits out two syllables, āRe. Spect.ā
āYouāre correct, Draymond, and the mole is deep inside the organization, and like you said, you survived. Youāre the only one left.ā
āI want to know where Steph is. Whatās he think about all this?ā
āWhy donāt we talk that one over quietly? I want you to get up from the table and walk out the front door. Get in that car parked across the street, board a plane with the ticket I gave you when you came in, and meet me at GSW headquarters. Certain protocols need to be followed.ā
āIs this Stephās idea? Is he still out there?ā
āSteph never comes in from the cold. In fact, Steph never gets cold.ā
āHe tell you to say that?ā
āYouāre being benched, Draymond.ā
āI donāt know about that. Seems like a reach. Respect. But that seems like a reach. Thereās the old way of doing things and the new way. I see myself as part of that new way.ā
āEverything thatās new one day gets old, Draymond. Have you thought about that? Are your affairs in order?ā
Draymond chomps the gum in his mouth. It smacks against his teeth as he reaches in his pocket for the final piece. He needs something more explosive than what heās chewing on at the moment.Ā As he removes the stick from his pocket, his hand undoes the foil. As a man defined by conflict, heās pictured this moment, acting it out dozens of times in the mirror.
āYouāre taking this better than I thought you would. I thought youād be upset.ā
āI mean, Iām not happy, but itās not like youāre telling me I can no longer speak my mind.ā
āBut, Draymond, thatās exactly what weāre telling you. Youāre not simply being removed from the board. From now on, weāre drafting your podcast the way we see fit.ā
Draymondās fist closes tight on the final stick of gum. The red end pressing into the green end. He swings his arm wide across the table. Glasses of water crash and spill and shatter, but when he releases the shot of gum, it doesnāt make its target. Thatās what makes this moment different from the one he imagined. The stunt falls short. Instead of landing on the aquariumās glass wall where it could have released a sudden flood, the stick of dynamite lands at an empty table where no one is sitting. Draymond looks at Kerr. Kerr looks at Draymond. They donāt even duck under the table as the small boom bursts into a flaming crater in the middle of the vacant table. In fact, the fire alarm doesnāt even sound, and a waiter douses out the fire with a pitcher of water.
āIs that it?ā says Kerr.
āThatās it,ā says Draymond.
āRespect,ā says Kerr. āRespect.ā
Outside the restaurant, a thick Boston accent starts hurtling expletives against the window that separates the two veterans from the deep layer of fog enveloping most of the city. Somewhere, even farther removed, is the brightness of the moon looking for the man who tried to slide tackle it from behind.